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Book Club Kits: The Girls We Sent Away

Alamance County Public Libraries offer Book Club Kits for check out to area book clubs. Each kit contains 10 copies of a book and a reading guide.

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Book Summary

"An important and vital story." — Donna Everhart, USA Today bestselling author of The Saints of Swallow Hill

"Engaging, shocking, heart-wrenching." — Library Journal

A "compassionate novel about loss and broken dreams." — Washington Post

A searing book club read for fans of Ellen Marie Wiseman and The Girls with No Names set in the Baby Scoop Era of the 1960s about the women of a certain condition swept up in a dark history.

It's the 1960s and Lorraine Delford has it all – an upstanding family, a perfect boyfriend, and a white picket fence home in North Carolina. Yet every time she looks through her father's telescope, she dreams of the stars. It's ambitious, but Lorraine has always been exceptional. 

But when this darling girl-next-door gets pregnant, she's forced to learn firsthand the realities that keep women grounded. 

To hide their daughter's secret shame, the Delfords send Lorraine to a maternity home for wayward girls. But this is no safe haven – it's a house with dark secrets and suffocating rules. And as Lorraine begins to piece together a new vision for her life, she must decide if she can fight against the powers that aim to take her child or submit to the rules of a society she once admired.

Powerful and affecting, The Girls We Sent Away is a timely novel that explores autonomy, belonging, and a quest for agency when the illusions of life-as-you-know-it fall away.

ABOUT HORSEKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

 

 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

 

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“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

Discussion Questions

  1. Lorraine hopes to become an astronaut in the Space Race, despite being a young woman in a time when those occupations were reserved for men. What was your biggest dream in life when you were young? Were you ever told that your dream would never be a reality? If so, how did that make you feel, and how did you overcome it?
  2. There is a hierarchy in the Sunnymede neighborhood, and family image is worth everything. Where does Lorraine and her family land on that hierarchy, and how does that affect the way they react to her pregnancy?
  3. Mr. Delford says that if Clint was man enough, he would have “dealt” with Lorraine’s situation. What does he mean by this? What was your reaction to Clint’s actions after finding out that Lorraine was pregnant?  
  4. What measures does Lorraine’s mother take when she finds out her daughter is pregnant? If you were Lorraine, how would you have felt to be treated this way by your family?
  5. Lorraine’s story is set during the Baby Scoop Era, a period of the 1960s where unwed mothers could be sent away to give birth. Were you familiar with this period in history before reading this novel, and if so, what did you know about it? If not, did you learn anything new about this time?
  6. The longer Lorraine lives in the maternity home, the more she realizes that it’s not at all what she thought it would be. Describe what the home is like for those who live there. How would you feel if you were living in this situation?
  7. What are some of the rules each girl must follow at the maternity home? Why are these rules in place, and were there any instances where the girls broke them?
  8. Who is Janet, and why are the girls in the home keeping her story a secret from Lorraine? Were you surprised to learn the truth of what happened to her? 
  9. When Lorraine strikes up a friendship with the librarian, Ms. Whiler, she begins to see the role of women differently. Discuss how Lorraine’s values and ideas surrounding womanhood and motherhood change as the story progresses. How did watching this change make you feel? 
  10. Lorraine was certain she didn’t have a “motherly instinct.” But when she feels like something is wrong with the baby, her immense worry proves that her attachment to her child has grown stronger than she previously thought. How does this realization change everything for Lorraine? Were you surprised by the outcome of the story after this moment?
  11. On the surface, Miss Mahoney and Ms. Whiler seemed quite different, but how did Lorraine come to see them as more alike than she first thought them to be?
  12. A major theme of the novel is the freedom to have a choice. What parallels might be drawn between the ideas of the Baby Scoop Era, and modern-day events surrounding woman’s rights? 
  13. What is Lorraine and her mother’s relationship like after she returns from the maternity home, and how does it change after the secrets her mother kept are revealed? Did you look at Mrs. Delford differently after this? Why or why not?
  14. Near the end, Mrs. Delford and Lorraine come to think of strength differently. The narrator says, “Strength isn’t in the loud and obvious. Strength is often camouflaged in the quiet, reserved places where most people wouldn’t think to look.” How do you describe strength? Has your definition changed over time? Who are the strong people in your life? 
  15. Discuss Lorraine and Alan’s relationship. How was he different from Clint? How did you feel when he found her at the farmer’s house after she returned home and then at the diner in the epilogue?
  16. At the end of the novel, the narrator states that survival is “the constant decision to put one foot in front of the other.” How does Lorraine continue to survive even after her immense hardship? Then, think about your life. What does the word “survival” mean to you?

 

About Author

Meagan Church is the author of emotionally-charged, empathy-inducing novels, including The Mad WifeThe Last Carolina Girl, and The Girls We Sent Away, a Southern indie bestseller and North Carolina Reads state-wide book club pick for 2025. After receiving a B.A. in English from Indiana University, Meagan built a career as a freelance writer. She is an adjunct for Drexel University’s MFA in creative writing program, and helps authors tell their own stories through editing, coaching, and workshops. A Midwesterner by birth, she now lives in North Carolina with her high school sweetheart, three children, and a plethora of pets.