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ABOUT HORSEKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

Anne grew up in an abusive home, leading to severe depression and a determination to do better as a mother. One of her sons wants a dog from the time he is a baby; Anne very much does not. For years she appeases him with creatures who live in cages and tanks, but on his tenth birthday she can no longer say no—and she proceeds to fall in love with their new four-legged family member, Mattie. Then Mattie dies a sudden and tragic death, and Anne feels herself begin to sink back into depression.

Trying to cope, she immediately adopts Milo—a dog who, unbeknownst to her, has already been returned to the rescue by several families due to his aggressive behavior. But even after she realizes Milo is dangerous, she’s committed to trying to give him a chance at a good life.

Anne’s journey takes the reader from dog school into the deep woods as she perseveres with Milo’s lifelong rehabilitation and her unwavering efforts to be a good mother to her sons. Working with Milo strengthens Anne and expands her ability to love. Ten years later, when Milo dies, Anne faces another choice: close the door to that part of her heart, or risk loving another dog after two tragic losses?

 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

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“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

1. Considering Anne’s decision to keep Milo – what would you have done? Is there a point where you would have given up or taken a different path?
2. What do you think about Anne’s need to replace Mattie immediately to offset falling into a depression? Do you think she acted too hastily? Do you think it was okay that she got another dog so quickly even though her children said they were not ready for a new dog?
3. If a child wants a dog, and their parent does not want a dog, what do you think is the right thing for the parent to do? What do you think about Anne’s method of substituting a series of reptiles and amphibians?
4. When Anne met “mellow Milo,” and he was so calm, do you agree with Anne that Bill Smith at Main Line Animal Rescue had likely sedated Milo with medication? If so, was this a justifiable method to use to place a difficult dog like Milo with a family?
5. What do you think about how the community of dog people rallied to support Anne and Milo? One example is in the beginning, when Anne was struggling with Milo, and Jane and Mary stepped in to help. A second example is when Anne needed surgery part way through dog school and they stepped in, again. Have you experienced something similar in your own life?
6. When Anne and her family met with Gail for their dog school interview with Milo, do you believe Gail was right that Milo was well-behaved during the interview because he knew what was happening and that he was “internally stressing”?
7. Do you think Gail’s advice to return Milo to the rescue was good advice? Do you think Gail should have been more open to hearing Anne’s concerns about Milo and the behaviors she wanted help with? Do you think Gail should have been more empathetic about the situation and less hasty to decree that Milo should be returned to the rescue?
8. Do you think that Tiny’s death led to Anne’s not wanting a dog? Or do you think that many people do not want dogs for many reasons, such as shedding, the need to walk them and that the moms are often left with the chores that children promise to do before the dog arrives?
9. The morning after Milo died, when Anne met Bill Smith at Main Line Animal Rescue, were you surprised that she felt no anger toward Bill even though she believed he had sedated Milo a decade earlier?
10. Milo’s death was not as sudden as when Mattie was killed by the UPS truck. What did you think Anne would do about adopting another dog after he died?
11. What do you think about how Anne’s mother treated Anne and Anne’s children? What makes a mother cold and aggressive?
12. Consider the many scenes at dog school. What do you think about how Mary conducted the training of the dogs and their moms? If you have a dog, would you take your dog to this dog school for lessons and classes?
13. After Mattie was killed do you think Anne should have called UPS and asked for a new driver? If you were Anne, would you harbor a grudge against the UPS man who killed Mattie? Or would you forgive him?
14. Reflecting on the multiple dogs in this memoir – beginning with Mattie, then Milo, and then Yat (renamed Ryan) and Sam – which dog or dogs would you adopt? How would you take care of them with their varying needs and personalities?
15. Comment on the phrase, “Love is not a pie.” Is this metaphor always true, sometimes true or never true? What are some examples that support your position on this?
16. Consider the moral dilemma between getting a dog from a reputable breeder versus getting a dog from a reputable rescue. How does a responsible prospective dog adopter consider the moral aspects of this decision?
17. Were you surprised by Anne’s decision to take not just one but two rescue dogs after Milo’s death? Please explain why or why not.
18. The theme of empathy is an important part of this memoir. Can you identify key points where empathy changes the course of the story? Or where the absence of empathy also has an impact?
19. What are the main take-away lessons from this memoir that will stay with you?
20. Do you think it was irresponsible of Anne to take Milo to Bed Bath & Beyond to try to desensitize him to people, given her lack of experience training dogs and that she had no way of knowing whether or not he would attack someone or if she would be able to control him?
21. Do you agree with Anne that because she did not make Milo do the usual commands before she gave him his bone before her workout, she was responsible for him biting her? Would you be able to love a dog who attacked you?
22. Do you think Anne was irresponsible for keeping Milo as a family pet, even though with all his training and behavior management, he occasionally bit her and her husband? He could have bitten anyone who came into the house.
23. When Milo chases the kite in the sound in North Carolina what did you think was going to happen when he spotted the family having a picnic on the beach?

Anne Abel’s story about unwittingly rescuing an aggressive dog, Milo, won a Moth StorySLAM in New York City. She has won two additional Moth StorySLAMs in Chicago. Her credentials include an MFA from The New School for Social Research, an MBA from the University of Chicago, and a BS in chemical engineering from Tufts University. She has freelanced for Lilith; Philadelphia Daily News; The Jewish Exponent; Philadelphia Weekly, Main Line Life and Main Line Today, and formerly wrote a weekly column, “The Homefront,” for Main Line Welcomat. She also taught English and creative writing at the Community College of Philadelphia. Anne lives in New York City with her husband, Andy, and their three rescue dogs, Ryan, Megan, and Chase. She grew up outside Boston, MA.

In January, 2016 Anne and Andy, moved from suburban Philadelphia with their three dogs to Chicago, where Andy was a visiting professor at the University of Chicago. Anne had no idea what she was going to do in this city where the daytime high was nine degrees. When she met her new dog walker she asked, “What do you do when you aren’t walking dogs?”

“I host a storytelling open mic in the back of a bar.  You should come sometime and tell a story.”

Anne went to the storytelling open mic just to listen. Unexpectedly, she found herself telling a story. For the next two years Anne became part of the storytelling circuit of Chicago, including The Moth. She won two Moth StorySLAMs in Chicago. Then she and her husband moved to New York City where she won a Moth StorySLAM for telling the story about Milo. You can watch this story by clicking here.