Book Club Kits: Planet Omar: Accidental Trouble Magnet

Zanib Mian - author

Nasaya Mafaridik - illustrator

To request this kit, click link above.

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ABOUT HORSEKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

Meet Omar, a young Muslim Pakistani British boy with a huge imagination. Sometimes his imagination gets him into trouble, but it also helps him to deal with his worries. And with his family moving to a new home in London, Omar has been worrying a lot. His new neighbor does not seem to like his family. At school, he likes his teacher and even makes a new friend, but he also is bullied by Daniel, who tells him that his family will be kicked out of the country. Even though Omar uses humor and his imagination, make himself feel better, he worries. Is Daniel right? The questions in this guide were written by Sara Ahmed, Mahasin Abuwi Aleem, Ariana Hussain, and Hadeal Salamah. Sara, Mahasin, Ariana, and Hadeal are librarians in public and school libraries. They are co-founders and bloggers at Hijabi Librarians, which examines Muslim representation in youth literature.

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“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

1. Muslims fast during the month of Ramadan, from dawn until sunset (p. 116). Can you give an example of a di­fferent kind of fast that you or someone you know does?

2. Omar’s dad thinks that Mrs. Rogers may have been mean to their family because content she read in tabloid newspapers led her to believe that Muslims were not good people (p. 113). Mrs. Rogers believed a stereotype, an idea that makes a generalization or judgment about a group of people, often based on someone’s race, gender, religion, or appearance. Stereotypes are a type of prejudice and are harmful. How could Omar’s family be hurt by the stereotypes Mrs. Rogers believed about them? How could Mrs. Rogers have been hurt by continuing to believe stereotypes about Muslims? Do you think it is okay to judge people before getting to know them?

3. Daniel bullied Charlie and Omar and was mean to other classmates. Why do you think Daniel acted the way he did? Have you ever seen someone be bullied, or have you been bullied? What did it feel like to see or experience this? How do you think it feels to be bullied? Get into groups of three and think of ways to respond to unkind behavior and be an upstander (someone who stands up against bullying). Discuss why it is not okay to bully others.

4. Daniel says that he was mean to Omar because‑.‑.‑.‑“I didn’t think he’d want to be my friend” (p. 201). How can you make friends with others? What do you think makes you a good friend? What are some examples of how to be a good friend?

5. Omar’s mom taught him to spit toward his shoulder three times when he has a bad dream. What is something that was taught to you by your culture, religion, or family members that may seem strange to others?

6. Omar’s Muslim Pakistani British family celebrates Ramadan, Eid ulFitr, and Eid ul-Adha. They also have special foods to eat during Ramadan and on Eid. What holidays are important to your family? Why? Do you have any special food or things that you do with your family on those holidays? Draw a picture of what your family does during one of your holidays.

7. Omar and his family do Science Sundays because science is important to his parents. What is something that your family does that brings you all together?

8. Omar doesn’t tell his parents or his sister, Maryam, about what is happening at school. Why do you think he does not say anything? Have you ever had a problem that you felt you had to deal with alone? What are some ways that you dealt with it? Do you think it would have been easier to talk to a friend, a sibling, or an adult?

9. Being kind and looking out for neighbors are important values in Islam. Omar’s mom keeps trying to be nice to Mrs. Rogers, even when Mrs. Rogers is mean to their family. What does this tell you about Omar’s mom and her character? Why do you think she kept being nice to Mrs. Rogers?

10. Both Daniel’s cousin Brian and Omar’s cousin Reza believe that Muslims will be kicked out of the country. Omar and Daniel both believe them because their cousins are older and they trust them. Have you ever heard someone in your family say something scary, unkind, or unsettling? How did this make you feel?

11. Omar and Daniel ran away from Eddy because they thought he was a zombie. Eddy, who was homeless, just wanted to help them. What did Daniel and Omar learn about Eddy when they got to talk to him? Have you ever judged someone based on their appearance? Do you think anyone has judged you or someone you know based on their appearance?

12. Prayer is important to Omar’s family. His family performs salat (a type of prayer often performed with others) fi ve times a day, either at home or in the mosque. At the mosque, Omar’s brother, Esa, blows a whistle and counts really loudly while others are praying. Omar’s mom and sister are embarrassed, but the people in the mosque are kind to them. Have you or a sibling ever done something embarrassing in an important place? How did others react?

13. Omar’s mom, like many Muslim women, chooses to observe hijab, which means that she covers her hair and dresses modestly in front of men who are not related to her and when she’s out in public. Omar and Maryam joke that people probably think that their mom wears her scarf in the shower (p. 157). What are some other religious symbols that you can think of? Have you noticed how these symbols are viewed by others? How do you think Omar feels when Daniel says that his mom looks like a witch (p. 89)?

Zanib Mian was a science teacher before launching a small independent publisher, Muslim Children’s Books. Passionate about representation in children’s publishing, she is on the panel of judges for the prestigious Young Muslim Writers Awards.

Nasaya Mafaridik is based in Indonesia. Self-taught, she has a passion for children’s books and bright, colorful stationery.