Book Club Kits: The Violin Conspiracy

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ABOUT HORSEKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

The riveting story of a young Black musician who discovers that his old family fiddle is actually a priceless Stradivarius: when it’s stolen on the eve of the world’s most prestigious classical music competition, he risks everything to get it back.

Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music.

When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.

Curious about the music that inspired me and The Violin Conspiracy?

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“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

IF YOU HAVE NOT READ THE BOOKS, PLEASE NOTE THAT THERE ARE SPOILERS IN THE DISCUSSION QUESTIONS BELOW.

Discussion Questions for The Violin Conspiracy by Brendan Slocumb

1. What do you think about underrepresented communities (BIPOC etc.) performing in the classical music world?

2. Ray knows he is an excellent violinist without the Strad, and he would never sell it for money; why, then, is getting the Strad back such an all-consuming objective for him?

3. Whenever Ray is challenged, he returns to the memory of his Grandma Nora in her pink house coat. What do you think of this?

4. Ray also finds light in Janice, his mentor. What do you think Ray might have done differently if Janice hadn't approached him about music school, especially given his mother's influence?

5. Ray's first experience with direct racial discrimination--where a person tells him his skin color means he deserves less--is connected to music. How do you think this affected his choices and trajectory as a musician?

6. Ray had every excuse to reject the world that rejects him at every turn--particularly the family members who didn't believe in him. Why does he instead endeavor to take his grandmother's advice of staying sweet to heart?

7. At the same time, Ray isn't a pushover; he calls people out on their prejudices. What message does this get across to readers?

8. The author uses the novel to explore what it means to do what you love – but you might often be discouraged, whether by discrimination, societal expectation, or the simple fear it will never be enough. What are your thoughts on this?

9. Did this book change you at all? Now that you’ve read it, do you have any new perspectives as a result of reading this story?

10. Ray’s mother doesn’t want him to go to college or succeed in any way. Do you know people like this? How real did she seem as a character?

11. Race is important in the novel, but Nicole’s race is never discussed. Why is that?

12. Why do you think the Marks family felt so entitled to the violin?

13. What do you believe the solution to the disparaging numbers of musicians of color in major symphony orchestras is?

14. Ray’s mentor Dr Janice Stevens, guides him through his path from gifted teenager to world-class concert violinist. How important are mentors in his situation? Can you describe the mentors in your own life?

15. Do you agree or disagree with these statements, and why?

    • Alone, we are a solitary violin, a lonely flute, a trumpet singing in the dark. Together, we are a symphony.

    • The one student who didn’t look like or play like everyone else, got the most out of my session. That’s why I am here. I gave that young man what no one else was willing to: a chance.

    • You work twice as hard. Even three times. For the rest of your life. It’s not fair, but that’s how it is. Some people will always see you as less than they are. So you have to be twice as good as them.

Brendan Nicholaus Slocumb was raised in Fayetteville, North Carolina. He is a graduate of the University of North Carolina at Greensboro with a degree in music education, concentrations on Violin and Viola. For the past two decades, he has been a public and private school music educator from kindergarten through twelfth grade, teaching general music, orchestra and guitar ensembles. His students were often chosen for district and regional orchestras. In 2005, Brendan was named Teacher of the Year for Robert E. Lee High School; he has been named to Who’s Who of American teachers, and is a Nobel Teacher of distinction. Brendan also serves as an educational consultant for the Kennedy Center in Washington, D.C.

Music has always played a major part of Brendan’s life. He believes that it’s a life-saving force, and a gift we should always offer our children. When he was nine, he started playing violin through a public school music program. Friends he grew up with are today sitting in jail; when they were out running the streets, he was in rehearsals. When they were breaking into people’s houses, he was practicing Dvorak and Mozart. His violin opened the door to opportunity, and he ran through it. Since then, Brendan has performed with the Washington Metropolitan Symphony, the McLean Symphony, the Prince George's Philharmonic, and the Alexandria Symphony. He has served as the concertmaster for the NOVA-Annandale Symphony Orchestra and regularly performs chamber music with members of the Alexandria Chamber Music Society. He maintains a private music studio teaching lessons to students on violin, guitar and piano. Brendan believes that everyone can learn to appreciate and love music, and that it can be a new way of communicating, building bonds, and connecting with people who may look, sound, or speak differently.

In 2022, Brendan published his first novel, THE VIOLIN CONSPIRACY (Anchor Books), a GMA Book Club Pick, the riveting story of a young Black musician who discovers that his old family fiddle is actually a priceless Stradivarius: when it’s stolen on the eve of the world’s most prestigious classical music competition, he risks everything to get it back. In 2023, Brendan published his second novel, SYMPHONY OF SECRETS (Anchor Books), about a music historian who discovers that the world's greatest composer may have stolen the music from a neurodivergent Black woman – and the powers-that-be will do anything to silence the historian. Brendan is now at work on his third novel, to be published in early 2025.