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Book Club Kits: A Fever in the Heartland

Alamance County Public Libraries offer Book Club Kits for check out to area book clubs. Each kit contains 10 copies of a book and a reading guide.

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Book Summary

ABOUT HORSEKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 

NEW YORK TIMES BESTSELLER • A Washington Post Notable Work of Nonfiction • An NPR Best Book of the Year  A Kirkus Reviews Best Book of the Year •  A Chicago Review of Books Best Book of the Year • A New York Public Library Best Book of the Year • A Goodreads Choice Awards Finalist

“With narrative elan, Egan gives us a riveting saga of how a predatory con man became one of the most powerful people in 1920s America, Grand Dragon of the Ku Klux Klan, with a plan to rule the country—and how a grisly murder of a woman brought him down. Compelling and chillingly resonant with our own time.” —Erik Larson, author of The Splendid and the Vile

“Riveting…Egan is a brilliant researcher and lucid writer.” Minneapolis Star Tribune

A historical thriller by the Pulitzer and National Book Award-winning author that tells the riveting story of the Klan’s rise to power in the 1920s, the cunning con man who drove that rise, and the woman who stopped them.

The Roaring Twenties–the Jazz Age–has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson.

Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he’d become the Grand Dragon of the state and the architect of the strategy that brought the group out of the shadows – their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman – Madge Oberholtzer – who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees.

A FEVER IN THE HEARTLAND marries a propulsive drama to a powerful and page-turning reckoning with one of the darkest threads in American history.

 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

 

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“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

ABOUT HORSE

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review

Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME

“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah Daily

Winner of the Anisfield-Wolf Book Award

A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history


Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack. 
 
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
 
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
 
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

SEE LESS

Discussion Questions

1. The book opens by situating us in the “uniquely American state” of Indiana. What do you think made Indiana in the 1920s “uniquely American”? Why do you think it became particularly fertile ground for the Ku Klux Klan to take root?
 
2. D. C. Stephenson once remarked, “I did not sell the Klan in Indiana on hatreds. I sold it on Americanism.” To what extent do you think this statement was accurate? How did hatred play into Stephenson’s version of American values?
 
3. What role did disinformation serve as a tactic for the Ku Klux Klan to wrest and maintain power? How did media suppression come into play?
 
4. Why do you think the Ku Klux Klan fought for prohibition and championed Christianity and moral purity, even as Stephenson and its leadership acted in complete disregard of these causes?
 
5. The Ku Klux Klan carried out their reign of hate under the pretense of defending “pure Americanism.” On the opposing end, the Irish American lawyer Patrick O’Donnell said that the fight against the Klan was “an American fight.” What do you think it means to stand up for American values? Does patriotism differ now from what it meant in the 1920s?
 
6. What do you think it was about Madge Oberholtzer’s story that resonated so strongly with the Indiana public? After all the crimes that Stephenson had committed, why was it Madge’s testimony that was finally able to take him down?
 
7. Do you think Madge got the justice she deserved? What about Stephenson’s other targets and victims?
 
8. Throughout the book, we hear several theories accounting for Stephenson’s and the Ku Klux Klan’s rise. Writer Robert Coughlan suggests a blend of “the deadly tedium of small-town life,” “American moralistic blood lust,” and “a militant religious fundamentalism ‘hot with bigotry.’” Stephenson’s bodyguard Court Asher cites mass manipulation, and W. E. B. Du Bois writes of “normal human beings” who “at heart are desperately afraid of something.” What do you think best accounts for the Klan’s popularity? Can you think of other factors that contributed to Stephenson’s and the Klan’s rise?
 
9. Consider the institutions that are typically thought to function as guardrails of democracy. How did institutions like the press, the justice system, the police, and the church all fail Indiana? And why?
 
10. What surprised you most while reading this book?
 
11. “Democracy was a fragile thing, stable and steady until it was broken and trampled,” Timothy Egan writes. Do you think our democracy today is similarly fragile? How does Stephenson’s story resonate with our current political moment? Do you see potential for history to repeat itself?

About Author

Timothy Egan comes from a family of nine, from a mother who loved books and a father with the Irish gift of finding joy in small things.  He worked on a farm, in a factory, and at a fast-food outlet while muddling through nearly seven on-and-off years of college.

He is the author of ten books. His most recent, A FEVER IN THE HEARTLAND, is a historical thriller that was an immediate New York Times bestseller. “Brisk” “Powerful” and “Gripping,” wrote the Times. Publishers Weekly, in a starred review, called it “a harrowing look at forgotten chapter in American history.” It’s a book that explains the madness of our times with a look back at a hundred years ago. His last book, A PILGRIMAGE TO ETERNITY, was very personal, an adventure on an ancient pilgrimage trail through the heart of Europe, the Via Francigena — a journey, a family story, and a history of Christianity.

THE IMMORTAL IRISHMAN was a New York Times bestseller. His book on Edward Curtis, SHORT NIGHTS OF THE SHADOW CATCHER, was awarded the Carnegie Award for best nonfiction. His account of the Dust Bowl,  THE WORST HARD TIME,  won the 2006 National Book Award, considered one of the nation’s highest literary honors, and he was featured prominently in the 2012 Ken Burns film on the Dust Bowl.

A lifelong journalist, Mr. Egan worked as a national correspondent and opinion columnist for the New York Times, roaming the West.  As a Times correspondent, he shared a Pulitzer Prize in 2001 with a team of reporters for its series, “How Race is Lived in America.”

A graduate of the University of Washington, Mr. Egan also holds honorary doctorates from Whitman College, Willamette University, Lewis and Clark College, and Western Washington University. He is a member of the American Academy of Arts and Sciences. A third-generation Westerner and father of two, Mr. Egan lives in Seattle, a city that loves writers, and honored him once by naming May 12 a day in his honor – alas, no exemption from parking tickets.